WHAT THE OLD
LADY READS
Elinore Standard
I rolled my eyes every time I saw my
mother reading yet another Georgette Heyer Regency romance. She escaped into
stories with happy endings. The rich and titled bachelor always chooses the
plain (but highborn) governess. The ladies wear bonnets and never go anywhere
alone. They faint and have hysterics. There is always a servant to brush their
hair and serve their meals. The outside world never penetrates the drawing
room. No wonder my mother devoured this stuff.
Now I am as old, maybe older, than
my mother was when she read a book a day. I find
myself doing somewhat the same but so far I’ve gone for more highbrow choices although, (true
confession here) give me another five years and I’ll probably be ready for
Heyer and Barbara Cartland.
I read thrillers and noir detective
novels by writers including Ken Bruen
Ian Frazier and Denise Mina with their
depressive protagonists who smoke and drink and wreck relationships. I read a
lot of Nordic gloom by Henning Mankell and Karen Fosum.
I
escape just the way my mother did but I do it by entering the lives of
others via the
memoir. I am drawn to the story of the unprotected child in “The End of the
World As We Know It” by Robert Goolrick, "Don't Let's Go To the Dogs
Tonight," by Alexandra Fuller, "Without a Map," by Meredith Hall
and "Falling Through the Earth" by Danielle Trussoni.
I love Before and After, the story
of the life makeover. I like to read
about the life of somebody as old as I am and to savor their recollections of
pre-WWII childhoods and life in the ‘50s and 60s when acquiring stuff had not
yet won out over having good friends and a good time. Check Diana Athill’s
“Somewhere Towards the End," written when she was almost 90.
Mostly. I read
memoirs to find out how I’m doing, to weigh my own progress through life
against the experiences of others. However bad things may seem, there is always
somebody who has had it worse and how comforting is that?
There are three recent novels about
older people that I want to mention here before I forget. “Olive Kitteridge” by
Elizabeth Strout took me aback in the way that novels don’t usually do. Set in
coastal Maine and spanning lifetimes of
small town characters, regular folks such as the pharmacist, the
insurance guy, the lobsterman and the math teacher (that’s Olive), this
collection of related short stories provides catharsis usually reserved for
tragedy. Strout's people struggle with loss and love, with thoughts of suicide
and despair, with hoarded anger and lifelong resentment. Their kids do dope and
drop out or they leave home and go crazy. Disappointment is part of everyday
life. Secrets are revealed, confidences broken. Everyday interaction produces
little emotional murders and the death of the heart.
Death looms as the characters age
and there are lessons for all of us about generosity and loyalty and loving
kindness. I got emotionally involved with "Olive Kitteridge" and
whether or not the lessons sink in enough for me to make adjustments in my own
life remains to be seen.
Two companion novels by Jane Gardam,
written in her own old age, tell the story of a husband and a wife, British
subjects who grew up in Asia at the end of the Raj. “Old Filth” is Sir Edward
Feathers’s story, told from his point of view. “FILTH” stands for “Failed In
London Try Hong Kong,” where he does try and ultimately becomes rich in the
practice of law. He emerges from an outrageously unprotected childhood, works
hard and carves out a niche for himself as a distinguished judge. He marries Betty Macintosh and together they
live sedate, passionless lives.
“The Man in the Wooden Hat” is
Betty’s story and it fills in and amplifies
events in her
husband’s life. Just as we think we know everything about someone, we find we
haven’t a clue. At every turn, this book surprises and shocks. I would be hard
pressed to say which of the two I think is more compelling but they both have
thrown me off balance and there are enough resonances in my own life to make
each story unsettling.
So here are three novels that are
certainly not what I would describe as
cozy reads.
Although not lacking in humor and irony, they are close to the bone and
unsparing of the reader’s emotions. You see yourself too often in many of the
characters and this is not always so good. They make you reflect on your own
choices and your missed chances. They make you wish you hadn’t said what you
said. Once there seemed to be all the time in the world to mend fences and to
shape up. Although we are told it is never too late to change, there does come
a time when that possibility dims and all those new leaves for turning over
have shriveled up.
These novels by older women have
appeared at a time in my life when I am most open to messages about enduring
love and hope. I’m not so sure I would have been at all this receptive back in
1955.
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